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OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; BMG Monarch/Songs of Big Deal/The Fantasy Continues Music (ASCAP); Songs by Amnija/Universal Music Publishing Group (BMI);1114 Sounds/W. M Music (SESAC); Coney Cosmos Music Publishing/ Warner-Tamerlane Publishing Corp (BMI)Produced by Beyoncé, JAY-Z and David Andrew Sitek Mixed by Tony Maserati Assistant Mix Engineer: Tyler Scott Recorded by Stuart White Mastered by Colin Leonard at SING Mastering, Atlanta, GA using SING Technology® Contains a sample of “You Make My Life a Sunny Day” written by Eddie Campbell, Ernie Johnson and Pete James and performed by Eddie & Ernie Right now inside the place to be Big up the one JAY-Z and BSlowing down da dance To a different type a speed(hear wah)You know it’s Cool and Dre de pon de beat You know a bloodclaht heat(Right) Let's make love in the summertime, yeah On the sands Beach sands Make plans To be in each other's arms (let it breathe, let it breathe) I wanna’ drown in the depths of you, yeah yeah Where the waters so blue So blue So blue I need to take my time, oh yeah To show you something real So real So real(let it breathe, let it breathe)So real I want you to come inside right now So you know just how I feel How I feel(let it breathe, let it breathe)Let it breathe We never been this far from the shore We might not ever go back anymore Gotchu’ all in your emotions Hit you with the force then Tell me your desires I won’t ever tire You rather play the game than to throw the fight... Herard, James Fauntleroy IIPublished by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO Universal Music; EMI Blackwood Music In (BMI)/SONY/ATV; BMG Platinum Songs US (BMI), Ithaca Street Music (ASCAP); Ownership is An Illusion/Reservoir Media Music (ASCAP); Produced by Beyoncè, JAY-Z and Cool & Dre for Epidemic Music Inc Co-Produced by El Michels String arrangement by Derek Dixie Co-arrangement and strings by Chala Yancy, Nathalie Barret-mas, Crystal Alforque and Jessica Mc Junkins Strings engineered by Tyler Scott Horn arrangement by Derek Dixie Co-arrangement and horns by Corbin Jones, Michael Jones, Christopher Gray, Christopher Johnson, Crystal Torres, Arnetta Johnson, Lessie Voner Additional keys by Derek Dixie Additional vocals by Rory from Stone Love Mixed by Tony Maserati, Stuart White and Gimel “Young Guru” Keaton Recorded by Stuart White and Gimel “Young Guru” Keatonand Tyler Scott Assistant Mix Engineer: Tyler Scott Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology® Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah Yeah, yeah, yeah, yeah Stack my money fast and go fast, fast, go Fast like a Lambo skrrt, skrrt, skrrt I be jumping off the stage oh jumping, jumping, hey, hey Crowd better save her crowd going hey I can’t believe we made it this is what we made, made This is why we thankful this is why we thank, thank I can’t believe we made it this a different angle Have you ever seen a crowd goin’ ape ape? Give me my check Put some respeck on my check Or pay me in equitypay me in equity Watch me reverse out of debt skrrt He got a bad chick bad chick We living lavish lavish I got expensive fabrics I got expensive habits He wanna’ go with me go with me He like to roll with meroll with me He want to be with mebe with me He wanna’ give me that vitamin DD! Carter, Quavious Keyate Marshall, Kiari Kendrell Cephus Published by EMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp.

Boy you know that ain't right When I'm needing your affection I need that attention Up and down motion Come swim in my ocean Yeah, yeah Let's make love in the summertime, yeah On the sands Beach sands Make plans To be in each other's arms (let it breathe, let it breathe) I wanna’ drown in the depths of you, yeah yeah Where the waters so blue So blue So blue I brought my sand to the beach Hopped out the Lamb with the sheep Skin rugs on the floor We hug, make love on the seats We tried to hide in the Hills We watch the sky turn peach Summers light, like Summers night, it’s like Christ masterpiece She taste like Corona, light Sweet Even the lime gotta’ squeeze She gave me a little swig To chase behind my weed If I can stay in her hair forever That’ll be fine by me I don’t have no concept of time Even with a rose gold concept on me I remember summer nights in the projects Bullet rounds interrupting my chi When the worst thing that can happen Zipped up his jacket and ran back down the street In Bellaire only the nights get cold I wrap the yellow jacket around BIt’s not lost on me Music has my kids sound asleep Let's make love in the summertime, yeah On the sands Beach sands Make plans To be in each other's arms Yeah Yeah(let it breathe, let it breathe) I need to take my time to show you something How I feel Let's make love in the summertime Let's make love in the summertime Be in each other's arms (let it breathe, let it breathe) Let's make love in the summertime On the sands Beach sands Make plans To love in each other's arms Mmm, mmm Love, when Love neva’ change you kno’When people change You kno’Love neva’ change Love is Universal ting Love is goin’ to express itself as a form of forgiveness and compassion, yeah For each other, yeah Written by Beyoncé, S. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Ice ornaments Ice style tournaments You ain’t on to thisno Don’t think they on to this no Yeah, yeah, yeah, yeah Bought him a jet Yeah, yeah, yeah, yeah Shut down Colette Yeah, yeah, yeah, yeah Philippe Patek Yeah, yeah, yeah, yeah Get off my ouu uh, hey Gimme da ball Gimme the ball Take a top shiftball Call my girls and put ‘em all on a spaceshipbrr Hang one night with Yoncè I’ll make you famoushey Have you ever seen a stage goin’ ape sh--? Stack my money fast and go fast, fast, go Fast like my Lambo skrrt, skrrt, skrrt I be jumping off the stage oh jumping, jumping, hey, hey Crowd better save her crowd going hey I can’t believe we made it this is what we made, made This is what we thankful forthis is what we thank, thank I can’t believe we made it this a different angle Have you ever seen a crowd goin’ apesh--? I’m a Gorilla in a f------ coupe Finna pull up in the zoo I’m like Chief Keef meet Rafiki who been lyin King to you Pocket watching like kangaroos Tell these clowns we ain’t amused‘Nana clips for that monkey business 4-5 got change for you Motorcades when we came through Presidential with the planes too Wouldn’t bet against you with the residential Undefeated with the cane too I said no to the super bowl You need me, I don’t need you Every night we in the end zone Tell the NFL we in stadiums too Last night was a f------ zoo Stage diving in a pool of people Ran through Liverpool like a f------Beatle Smoking gorilla glue like it’s f------ legal Tell the Grammys f---- that 0-8 sh--Have you ever seen a crowd going ape sh--? Stack my money fast and go fast, fast, go Fast like my Lambo skrrt, skrrt, skrrt I be jumping off the stage oh jumping, jumping, hey, hey Crowd better save her crowd going hey I can’t believe we made it this is what we made, made This is what we thankful for this is what we thank, thank I can’t believe we made it this a different angle Have you ever seen a crowd goin’ apesh--? Haters in danger Whole lot of gangin’ (gang)35 chains I don’t give a d---‘bout the fame (nope)G8 planes (tshh)Alexander Wang (woo! )Can’t be tapping my reign oh ah Poppin’, I’m poppin’ my bitches all poppin’And we go to the dealer and cop it all (cop it all)Sipping my favorite alcohol (alcohol)Got me so lit I need Tylenol All of my people I free ‘em all (free ‘em all)Hop in my whip wanna’ see the stars, uh Sending the missiles off Drinking my inhibitions off Two hundred fifty for the Richard Mille Yeah yeah Live in your feels My body make Jigga go kneel My man, my mama, my lawyer, my shield Look at my jewelry I’m lethal (lethal)These diamonds on me they see-through I’m a Martian they wishing they equal (equal)I got M’s like the back Evisu Gimme da ball Gimme the ball Take a top shift (she went crazy)Call my girls and put ‘em all on a spaceship Hang one night with Yoncè I’ll make you famous Have you ever seen a crowd going ape sh--? Stack my money fast and go fast, fast, go Fast like a Lambo skrrt, skrrt, skrrt I be jumping off the stage oh jumping, jumping, hey, hey Crowd better save her crowd going hey I can’t believe we made it this is what we made, made This is what we’re thankful forthis is what we thank, thank I can’t believe we made it this a different angle Have you ever seen a crowd goin’ apesh--? OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Huncho YRN Music (ASCAP/ 1479 QC Music/Universal Corp (ASCAP); YRN Piped Up ENT (ASCAP)/JPL QC Music, Reservoir Media Music (ASCAP)Produced by Pharrell, Beyoncè and JAY-Z Additional vocals by Offset &Quavo of Migos Mixed by Stuart White Recorded by Stuart White Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®Offset &Quavo appear courtesy of Quality Control Music Contains elements of A$AP Rocky Non- Music You Tube Video Mm , mmm Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss Ain’t nothin’ to it Real one Ain’t nothin’ to it Boss I pay the cost Ohh, gon’ take it off Take it off I record then I ball Then I ball I ignored a lot of calls Click, click You ain’t talkin’ bout nothin’I ain’t got no time Got that dinero on my mind Ohh…

CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESS (THE WEEKND)STACKIN’ MONEY MONEY EVERYWHERE SHE GO… 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE SHE STACK HER MONEY MONEY EVERYWHERE SHE GOHER YAMAZAKI STRAIGHT FROM TOKYOSHE GOT THEM COMMAS AND THEM DECIMALSSHE DON’T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEYSHE WORK FOR THE MONEYFROM THE START TO FINISHAND SHE WORTH EVERY DOLLAR SHE WORTH EVERY DOLLAR AND SHE WORTH EVERY MINUTE STARS IN HER EYESSHE FIGHTS FOR THE POWER KEEP IN TIMESHE GRINDSDAY AND NIGHTSHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAY SHE GONE SLAY SHE’S TOO SMART TO CRAVE MATERIAL THINGSSHE PUSHING HERSELFDAY AND NIGHT SHE GRINDS FROM MONDAY TO FRIDAY WORK FROM FRIDAY TO SUNDAYSTARS IN HER EYES SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTSBUT SHE DON’T MINDSHE LOVES THE GRINDSHE GRINDS FROM MONDAY TO FRIDAYWORKS FROM FRIDAY TO SUNDAYSHE GONE SLAY TOO SMART TO CRAVE MATERIAL THINGSSTACKING HER PAPER STACKING HER PAPERSHE GRINDS FROM MONDAY TO FRIDAYWORK FROM FRIDAY TO SUNDAY 6 INCH HEELS SHE WALKED IN THE CLUB LIKE NOBODY’S BUSINESSGOT DAMNSHE MURDERED EVERYBODY AND I WAS HER WITNESSSHE WORKS FOR THE MONEY SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO) FROM THE START TO FINISH (TO MAKE YOU LOVE ME)AND SHE WORTH EVERY DOLLAR (LOVE ME)SHE WORTH EVERY DOLLAR (LOVE ME)AND SHE WORTH EVERY MINUTE NOW YOU KNOW I MAKE YOU FEEL YOU’LL ALWAYS COME BACK TO ME…..

COME BACKCOME BACKCOME BACKCOME BACKCOME BACK WRITTEN BY ABEL “THE WEEKND” TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS “THE-DREAM” NASH, AHMAD “BELLY” BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. ENOUGH…I DON’T CARE ABOUT THE LIGHTS OR THE BEAMSI' D SPEND MY LIFE IN THE DARKFOR THE SAKE OF YOU AND ME THE ONLY WAY TO GO IS UPTHEM OLE BITCHES SO WACK I’M SO TOUGH, WHAT’S UP?

Carter, Tyrone “Ty Dolla $ign” Griffin Jr, Dernst “D’Mile” Emile IIPublished by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. What would you do you knew you couldn’t fail I have no fear of anything, do everything well I have no fear of jail, I was born in the trap I have no fear of death, we all born to do that It’s just life I’m just nice Tonight I might Raise my price Great advice D--- you Hov Jesus Christ!

OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MELO-X, BEYONCÉ AND DIANA GORDON / CO-PRODUCED BY HIT-BOY FOR HITS SINCE ’87 AND HAZEBANGA FOR HAZEBANGA MUSIC / ADDITIONAL PRODUCTION BY STUART WHITE / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PROGRAMMING BY B. OH NOSHE ALREADY MADE ENOUGH BUT SHE’LL NEVER LEAVE…(ASCAP), BENJAMIN DIEHL PUBLISHING DESIGNEE (BMI), 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. (BMI), ROUGH TRADE PUBLISHING LTD (PRS), BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.(ASCAP) / PRODUCED BY DANNYBOYSTYLES, BEN BILLIONS, BEYONCÉ AND BOOTS / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / ADDITIONAL VOCALS BY BELLY / RECORDED BY STUART WHITE AT RECORD PLANT STUDIOS IN LOS ANGELES, CA / SECOND ENGINEERING BY RAMON RIVAS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT AND JAMES KRAUSSE / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA THIS COMPOSITION EMBODIES PORTIONS OF “MY GIRLS” WRITTEN BY DAVID PORTNER, NOAH LENNOX, AND BRIAN WEITZ. CONTAINS SAMPLES FROM “WALK ON BY” WRITTEN BY BURT BACHARACH AND HAL DAVID, PUBLISHED BY BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. USED COURTESY OF STAX RECORDS CONCORD MUSIC GROUP, INC. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE DEAN #MWA FOR DEAN’S LIST PRODUCTIONS AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / KEYBOARDS AND DRUM PROGRAMMING BY MIKE DEAN / TRACK ENGINEERED BY MIKE DEAN / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA WE BUILD SAND CASTLESTHAT WASHED AWAYI MADE YOU CRYWHEN I WALKED AWAYAND ALTHOUGH I PROMISEDTHAT I COULDN’T STAYEVERY PROMISE DON’T WORK OUT THAT WAYEVERY PROMISE DON’T WORK OUT THAT WAY DISHES SMASHED ON MY COUNTERFROM OUR LAST ENCOUNTERPICTURES SNATCHED OUT THE FRAMEBITCH I SCRATCHED OUT YOUR NAMEAND YOUR FACEWHAT IS IT ABOUT YOU?OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; 1114 Sounds (SESAC); W. M Music (SESAC); Coney Cosmos Music Publishing/ Warner-Tamerlane Publishing Corp (BMI); 808-Ray beats (ASCAP); Smitty beats (BMI)Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music Inc Mixed by Tony Maserati Recorded by Stuart White Assistant Mix Engineer: Tyler Scott Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology® Contains a sample of Broken Strings written by Jan Kozuki and performed by Flower Travellin’ Band YOU CAN TASTE THE DISHONESTY, IT’S ALL OVER YOUR BREATHAS YOU PASS IT OFF SO CAVALIER, BUT EVEN THAT’S A TESTCONSTANTLY AWARE OF IT ALL, MY LONELY EARPRESSED AGAINST THE WALLS OF YOUR WORLD PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI’M PRAYING TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME I’M PRAYING TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI PRAY YOU CATCH ME NOTHING ELSE EVER SEEMS TO HURT LIKE THE SMILE ON YOUR FACEWHEN IT’S ONLY IN MY MEMORY, IT DON' T HIT ME QUITE THE SAMEMAYBE IT’S A CAUSE FOR CONCERN, BUT I' M NOT AT EASEKEEPING MY HEAD TO THE CURB PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH ME LISTENINGI PRAY TO CATCH YOU WHISPERINGI PRAY YOU CATCH MEI PRAY YOU CATCH MEI PRAY YOU CATCH MEI’M PRAYING YOU CATCH ME WRITTEN BY KEVIN GARRETT, BEYONCÉ, JAMES BLAKE / PUBLISHED BY WB MUSIC CORP.(ASCAP) OBO ITSELF, ROC NATION MUSIC AND KEVIN GARRETT MUSIC, WB MUSIC CORP.MAYBE MY HEAD FOR ONEWHAT’S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZYOR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELYI’D RATHER BE CRAZY HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU LET’S IMAGINE FOR A MOMENT THAT YOU NEVER MADE A NAME FOR YOURSELF MASTER WEALTH THEY HAD YOU LABELED AS A KINGNEVER MADE IT OUT THE CASESTILL OUT THERE MOVING IN THEM STREETSNEVER HAD THE BADDEST WOMEN IN THE GAME UP IN YOUR SHEETSWOULD THEY BE DOWN TO RIDE, NOTHEY USED TO HIDE FROM LIE TO YABUT Y’ALL KNOW WE WERE MADE FOR EACH OTHER SO I FIND YOU AND HOLD YOU DOWN HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU BABE IT' S SUCH A SHAMEYOU LET THIS GOOD LOVE GO TO WASTEI ALWAYS GIVE THAT TOP TIER 5 STARBACK SEAT LOVIN IN THE CAR LIKE MAKE THAT WOOD HOLLY LIKE A BOULEVARD WHAT' S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZYOR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELYI’D RATHER BE CRAZY HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU I HOP UP OFF MY BEDAND GET MY SWAG ONI LOOK IN THE MIRROR SAY WASSUPWASSUP WASSUP WASSUP WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, NEON REGGAE CO-OP CITY, WB MUSIC CORP.OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD.OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./JABRIEL IZ MYNE (ASCAP), MIDIAN MATHERS BMG PLATINUM SONGS US OBO MABLE JEAN MUSIC (BMI) / PRODUCED BY BEYONCÉ AND VINCENT BERRY II / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY VINCENT BERRY II / SYNTHS BY JACK CHAMBAZYAN / SYNTH ARRANGEMENT BY BOOTS / RECORDED BY STUART WHITE IN THE BEEHIVE, LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY MILES COMASKEY / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PIANO RECORDED BY JORDAN STILWELL FORWARDBEST FOOT FORWARD JUST IN CASEWHEN WE MADE OUR WAY TO NOWIT’S TIME TO LISTEN IT’S TIME TO FIGHTFORWARDNOW WE’RE GOING TO HOLD DOORS OPEN FOR A WHILENOW WE CAN BE OPEN FOR A WHILEFORWARDI LOVE YOU MORE THAN THIS JOB PLEASE DON’T WORK FOR MEFORWARDGO BACK TO YOUR SLEEP IN YOUR FAVORITE SPOT JUST NEXT TO MEFORWARD WRITTEN BY JAMES BLAKE AND BEYONCÉ / PUBLISHED BY SONY/ATV, WB MUSIC CORP.OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY JAMES BLAKE AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY JAMES BLAKE / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORD ENGINEERING BY JOHN CRANFIELD / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA JAMES BLAKE APPEARS COURTESY OF POLYDOR LIMITED TRYING TO REIGN TRYING TO RAIN ON THE THUNDER TELL THE STORM I’M NEWI’MA WALK I’MA MARCH ON THE REGULARPAINTING WHITE FLAGS BLUELOVE FORGIVE ME I’VE BEEN RUNNING RUNNING BLIND IN TRUTHI’MA RAIN I’MA REIGN ON THIS BITTER LOVE TELL THE SWEET I’M NEW I’M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY…(ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP.OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA HOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUBACK UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSTEP DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOUCAN’T YOU SEE THERE’S NO OTHER MAN ABOVE YOUWHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOUHOLD UP, THEY DON’T LOVE YOU LIKE I LOVE YOUSLOW DOWN, THEY DON’T LOVE YOU LIKE I LOVE YOU SOMETHING DON’T FEEL RIGHTBECAUSE IT AIN’T RIGHTESPECIALLY COMING UP AFTER MIDNIGHTI SMELL YOUR SECRETSAND I’M NOT TOO PERFECT TO EVER FEEL THIS WORTHLESSHOW DID IT COME DOWN TO THISSCROLLING THRU YOUR CALL LISTI DON’T WANT TO LOSE MY PRIDE BUT I’MA F---- ME UP A BITCHKNOW THAT I KEPT IT SEXYYOU KNOW I KEPT IT FUNIS THERE SOMETHING THAT I’M MISSING?

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